How Vfx Built Black Widow’s Red Room, Then Blew It Up
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Visual effects helped bring many of the most spectacular scenes in Avengers: Endgame to the screen. We spoke to Weta Digital’s Matt Aitken to learn how some of those

Digital Domain created this flying Red Room and the surrounding environments entirely in CG, collaborating closely with Marvel Studios and their visual development group.
Behind ‚Black Widow‘: Making the Red Room red
We began building the Red Room almost simultaneously at the previz stage. Working off art department paintings and a basic model from previz, we built out the asset.
The team explain the Red Room descent work, shooting actors and reference for the free-fall, crafting the CG objects (including clouds) in the sky, and creating the VFX for the
The film’s explosive third act is set inside and up in the sky around and below the floating Red Room, a secret training facility for assassins that explodes around Natasha,
- Black Widow Breaking Down The Red Room Vfx Destruction
- ‚Black Widow‘: Breaking Down The Red Room VFX Destruction
- Behind the Scenes with the VFX Heroes of Avengers: Endgame
- How VFX Built Black Widow’s Red Room, Then Blew It Up
The Untold Truth Of #BlackWidow’s Red Room
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Behind the Scenes with the VFX Heroes of Avengers: Endgame
THE RED ROOM RISES. Since her introduction to the Marvel Cinematic Universe (MCU) more than a decade ago, the origins of Scarlett Johansson’s Natasha Romanoff, aka the Black
マーベルのとき ブラック・ウィドウ 劇場と Disney+ ストリーミング サービスで初公開されたこの作品は、映画の次の段階の先駆けとなっただけでなく、 マーベル・シネマティック・ユニ
In ‘Black Widow’, Natasha Romanoff’s backstory is finally revealed to fans, including the time she spent in the Red Room, a training ground for assassins that she thought had been destroyed.
Ako VFX postavil Červenú izbu čiernej vdovy a potom ju vyhodil do vzduchu click fraud protection. Keď Marvel’s Čierna vdova premiéru v kinách a na streamovacej službe Disney+, nielenže
Natasha then smashes her face against Dreykov’s desk to break her nose to block out the pheromone per Melina’s advice, allowing her to attack Dreykov. He brings in other Widows to
Russia has been training young women to be undercover operatives.Peggy Carter to Edwin Jarvis The Red Room Academy was a Soviet-Russian facility for the Red Room program that created
Black Widow Breaking Down The Red Room Vfx Destruction
The task was enormous: blow up the flying Red Room, place live-action actors and digi-doubles amongst the falling wreckage, craft clouds and sky and ground below, and, then on ground-level, reveal the aftermath.
Shortland discovered how to best integrate VFX seamlessly into the visual framework and Baumann discovered how to create more of an emotional context to the action.
It’s different with every Marvel Studios production, but for Black Widow we got involved very early. We began building the Red Room almost simultaneously at the previz
The opening scene of Marvel Studios’ most recent MCU action-thriller Black Widow resembles something out of a 1980s Amblin film, with a teenage girl riding her bicycle
Shortland discovered how to best integrate VFX seamlessly into the visual framework and Baumann discovered how to create more of an
Working with Marvel Studios and their visual development group, Digital Domain created the Red Room entirely in CG for a dramatic aerial sequence that ends with its destruction. The structure
Ar jūsų komandai buvo daugiau VFX kadrų, ar mažiau? Hanzhi Tang: Manau, kad tai buvo apie 320 šūvių. Tai buvo didelis šou. Kadrų skaičius buvo ne toks didelis, kaip anksčiau – anksčiau
Black Widow in the Red Room
In Black Widow, Romanoff’s history is finally revealed, including her time spent in the brutal “Red Room,” a training ground for world-class assassins that she thought was
In Black Widow, Romanoff’s history is finally revealed, including her time spent in the brutal “Red Room,” a training ground for world-class assassins that she thought was
The visual effects team for Alita: Battle Angel, one of 10 films contending for a VFX Oscar nomination this year, explains how they made the movie’s computer-generated cyborg
The Black Widows eventually found the Red Room’s main headquarters, a skybase that hovers high above the clouds – an idea lifted straight from the comics. The design
Digital Domain delivered around 320 VFX shots for the epic Flying Red Room crash and burn finale in Marvel Studios’ ‚Black Widow,‘ now in theaters and Disney+ with premier access.
The visual effects behind Black Widow’s stunning Red Room used cutting-edge technology to build, then destroy, one of the film’s most memorable set pieces.
Additionally, Dreykov’s control room included a desk console projected in the room, indicating the extent of his global web of Black Widows. The predominantly red-colored
„Black Widow“ ©2021 Marvel. Working under the direction of VFX Supervisor David Hodgins and DFX Supervisor Hanzhi Tang, Digital Domain’s team of 250 artists used Houdini, Maya, Redshift, Substance Painter, V-Ray and more to
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