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2.2.11: Engravings In Diego De Valadés’s Rhetorica Christiana

Di: Everly

Rhetorica Christiana reflects Valadés’s classical, humanist education under Gante, with its references to ancient Greco-Roman authors like Plato, Aristotle, Cicero, Virgil, and Horace,

His book aimed to help European missionaries spread the Christian faith, partly through sharing his knowledge of Indigenous Mexican cultures. This engraving presents the local population

OpenEdition vous propose de citer ce billet de la manière suivante : Olivier Jacquot (24 octobre 2024). Article : Engravings in Diego de Valadés’s Rhetorica Christiana.

The engraving shown, devised by Valadés himself, shows a priest wearing a habit and giving a sermon on the suffering of Jesus Christ. He uses a stick to point out one of the

Diego Valadés, “Didacus Valadés Fecit,” 1579, copperplate engraving, within Rhetorica Christiana ad concionandi et orandi usum accommodate [] ex Indorum maximè deprompta sunt

Fray Diego de Valadés (Tlaxcala, 1533-1582) fue un misionero franciscano, historiador y lingüista políglota en Nueva España, que desempeñó además los oficios de dibujante y grabador. Su

Academics studying Valades and his work have relied primarily on the text of the Rhetorica as evidence that he was a one of the earliest Mexican intellectual heroes; surprisingly, they have

The images of Fray Diego Valadés’ memorable engravings from his Rhetorica christiana, a manual of Christian rhetoric published in Perugia in 1579, are well known to historians of early

2.2.11: Engravings in Diego de Valadés’s Rhetorica Christiana; 2.2.12: Saintly violence? Santiago on Horseback; 2.2.13: The manuscripts of Luis de Carvajal; 2.2.14: What does the music of

A Spanish Franciscan missionary, engraver, and author, Valadés emphasized the value of instructional images in bringing Christianity to New Spain. Dates 1533–82

Article suivant Chapitre : Diego Valadés and the Origins of Humanistic Rhetoric in the Americas; Article précédent Article : Engravings in Diego de Valadés’s Rhetorica

Prints as Agents of Global Exchange, 1500-1800 – November 2021

An engraving by Diego de Valadés in Rhetorica Christiana (Christian Rhetoric) shows a Franciscan friar in New Spain preaching on a pulpit to a crowded assembly of natives. He

2.2.11: Engravings in Diego de Valadés’s Rhetorica Christiana; 2.2.12: Saintly violence? Santiago on Horseback; 2.2.13: The manuscripts of Luis de Carvajal; 2.2.14: What does the music of

Here, the convento, identified by the large patio (courtyard), appears as the nucleus of the community. Near the edges of the map, and connected through a network of roads, the artist

Santiago Matamoros (or Saint James the Moor Slayer) was the patron saint of the conquest and colonization of the Americas by Spain.

A conversation between Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker in the atrium of the ex-convento, San Agustín de Acolman, Acolman de Nezahualcóyotl, Mexico.

2.2.8.1: Bernardino de Sahagún and collaborators, Florentine Codex 2.2.8.2: Remembering the Toxcatl Massacre- The Beginning of the End of Aztec Supremac This page titled 2.2.8: The

These documents were thought to have been lost for over eighty years, until they resurfaced and were identified as the long-lost texts by Leonard Milberg, a renowned collector. Milberg alerted